"Blue Migration" (detail)
The after affects of an Open Studio are here: Someone has bought "Blue Migration". Now I feel like the little guy, flying alone in a calm space, heading off into new horizons.
The new owner is allowing me to keep the blue painting in my studio for a while. When I create large pieces I learn so much and pull on that info to create new works. When the painting leaves the studio I feel like I've lost a major resource. Since "Blue Migration" is so new I appreciate the new owner letting me sit on it for a while.
I keep one of my most interestingly painted canvases in my studio at all times just for that reason... as an inspirational resource of what is possible. ("Confronting Brown")
This is the part I look at for reference material. Whenever I see other people paint like this I get such a high! I do it in tiny form now (in gouache), and hope to get back into large versions when I am able to paint with oil again. There's no ventilation in my new studio, so I'm avoiding oil fumes. Maybe if I do the messiest work elsewhere and then bring the painting to the studio?
Meanwhile, I work with acrylic paint, as you see in the blue above.